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Lynn Teeter Flower

by Maria Taylor

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1.
A Good Start 04:13
you're one with the burden of intuition you're one with the freedom of a blank stare you're one with the best friend you lost you wish was still there you're one with the dust on that old piano you're one with the strings on your new guitar you're one with the wind through the open window, you are... it was a faint line that brought you here and a pulse that kept you in time it was the comfort of a tradition, but the fear that you were not that kind and it's a shame now, baby, you can't see yourself in everything you're running from and it's the same world, honey, that has brought you down as the one that's going to pick you up and pick you up. you're one with the echos of conversation you're one with stranger's you overheard you're one with the lesson that was the best one you learned it was a faint line that brought you here and a pulse that kept you in time it was the comfort of a tradition, but the fear that you were not that kind...but you are and it's a shame now,baby, you can't see yourself in everything you're running from and it's the same world,honey, that has brought you down as the one that's going to pick you up and pick you up it was a long dark sleepy morning walk you fell down facing up...it was a good start it was a good start and it's a shame now, baby, you can't see yourself in everything you're running from and it's the same world, honey that has brought you down as the one that's going to pick you up and it's a shame now, baby, you can separate yourself from where you've stood and it's the same world honey that made you feel so bad as the one that makes you feel so good...feel so good.
2.
3.
4.
No Stars 04:45
5.
Replay 05:09
6.
7.
8.
My Own Fault 02:53
9.
10.
Lost Time 02:49
11.

about

The songs for Lynn Teeter Flower, an album named after a family friend in Maria's native Birmingham, Alabama, were written in between tours for 11:11. The collection reveals a woman settling very well into her role as a solo artist, peeling back some of the layers of the last album to reveal a more organic sound, one that resembled the hundreds of shows she had done all over the globe in support of 11:11 over the course of the last year.

She began her new recording sessions with Spoon's drummer Jim Eno in Austin, hopped over to Athens to record four more tracks with Now It's Overhead's Andy LeMaster (who worked on 11:11), and then ended up in Memphis to work with Doug Easley (Cat Power, Pavement). The record sees contributions from Maria's brother and sister bassist Macey Taylor and keyboardist Kate Taylor, both of whom played in her live band, as well as Bright Eyes' Conor Oberst, who co-wrote and sings on "The Ballad of Sean Foley".

credits

released March 6, 2007

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Maria Taylor Los Angeles, California

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